- Bliv medlem
-
Du er ikke logget ind
Log ind Opret dig
Du er ikke logget ind
Beskrivelse
Mirages have long astonished travelers of the sea and beguiled thirsty desert voyagers. Traditional Chinese and Japanese poetry and art depict the above-horizon, superior mirage, or fata morgana, as exhalations of clam-monsters. Indian sources relate mirages to the 'thirst of gazelles,' a metaphor for the futility of desire. Starting in the late eighteenth century, mirages became a symbol in the West of Oriental despotism-a negative, but also enchanted, emblem. But the mirage motif is rarely simply condemnatory. More often, our obsession with mirages conveys a sense of escape, of fascination, of a desire to be deceived. The Waterless Sea is the first book devoted to the theories and history of mirages. Christopher Pinney navigates a sinuous pathway through a mysterious and evanescent terrain, showing how mirages have impacted politics, culture, science, and religion-and how we can continue to learn from their sublimity.