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For a Nevada wedding, the nuptials between Sharon McCone and sexy fellow investigator Hy Ripinsky are downright tasteful: no Elvis impersonators, no plastic flowers, no embarrassing last-minute bailout by a bride well known for her phobia to commitment. This time, McCone has displayed the smarts she uses in her successful detective firm and chosen a guy who respects her as a professional and shares her passions. But living together in her beloved little house on Church Street may be another matter entirely, especially when Hy suggests they need a bigger place.The looming crisis of who will compromise first is delayed when Hy heads out of town on business and McCone dives into one of her most baffling cases yet-the disappearance of Laurel Greenwood, who vanished twenty-two years before without a trace. Laurel's grown-up daughter is desperately seeking closure and wants McCone to find out the fate of the young mother and artist who never returned from a day of landscape painting in a Central California coastal town.The case is cold, and the evidence McCone begins uncovering is chilling. Secrets kept for two decades now emerge to create a portrait of a woman who's perfect on the surface and anything but a paragon beneath it. And when someone takes potshots at McCone to scare her into dropping her inquiries, the detective's resolve hardens. She intends to uncover the truth-the whole truth-even when it awakens her suspicions that the bonds of marriage can easily become chains, and that escaping them may lead to desperate acts...or murderous ones.