The Lay of Lirazel

Epic Poetry Meets High Fantasy An Edenesque garden, a haunted tower, a forest shrouded in twilight wherein dwell Centaurs, Elves and a myriad of creatures fantastic and mysterious; this is the setting in which Babb's "Lirazel" comes to life and where the tragedy of her life must unfold. Her doom is fixed, deadly, unavoidable and all the more tragic because of the choices Lirazel makes as she spurns wisdom for folly in a desperate gamble for love. In the world of Lirazel there exists an evil; ancient and monstrous, seductive and sorcerous. Its malice is hyper-focused on revenge and the usurpation of power. To satisfy its plots the Princess Lirazel must die. Perhaps then, a powerful relic will be revealed and then claimed by the usurpers. A crown, made for a princess but desired by a treacherous elf-witch and a fallen Knight; for this thing a brutal war must be fought, heroes must die and a maiden be cursed. The tale of this crown is the story Lirazel will uncover, as will the reader. This is the tale, told as poetry, in which she finds herself enmeshed and ultimately bewitched. The Lay Of Lirazel is narrative poetry told in epic fashion, but it is poetry fully equipped with fangs and enough terror to keep a reader turning pages till the last curse falls and death and doom claim their prize Inspired by the poetry of Alfred Lord Tennyson, the paintings of John W. Waterhouse and the writings of George MacDonald, William Morris and Lord Dunsany; The Lay of Lirazel is the essence of the mythopoeic set to verse. Perhaps not since J.R.R. Tolkien penned The Lay Of Leithian has a modern writer attempted poetry on such a grand scale.