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Remixing Wong Kar-Wai

- Music, Bricolage, and the Aesthetics of Oblivion

  • Format
  • Bog, hardback
  • Engelsk
  • 248 sider

Beskrivelse

Like his fellow filmmakers Stanley Kubrick, Quentin Tarantino, and Sofia Coppola, Wong Kar-wai crafts the soundtracks of his films by jettisoning original scores in favor of commercial recordings. In Remixing Wong Kar-wai, Giorgio Biancorosso examines the combinatorial practice at the heart of Wong's cinema to retheorize musical borrowing, appropriation, and repurposing. Wong's irrepressible penchant for poaching music from other films-whether old Chinese melodramas, Hollywood blockbusters, or European art films-subsumes familiar music under his own brand of cinema. As Wong combs through musical and cinematic archives and splices disparate music together, exceedingly well-known music loses its previous associations and acquires an infinite new constellation of meanings in his films. Drawing on Claude L?vi-Strauss's concept of bricolage, Biancorosso contends that Wong's borrowing is akin to a practice of creative destruction in which Wong becomes a bricoleur who remixes music at hand to create new and complete, self-sustaining statements. By outlining Wong's modus operandi of indiscriminate borrowing and remixing, Biancorosso prompts readers to reconsider the significance of transforming preexisting music into new compositions for film and beyond.

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Detaljer
  • SprogEngelsk
  • Sidetal248
  • Udgivelsesdato23-10-2013
  • ISBN139781478026945
  • Forlag Duke University Press
  • Nummer i serien429
  • FormatHardback
  • Udgave0
Størrelse og vægt
  • Vægt521 g
  • Dybde1,7 cm
  • coffee cup img
    10 cm
    book img
    15,2 cm
    22,8 cm

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