Photographic Ekphrasis in Cuban-American Fiction

Photographic Ekphrasis in Cuban-American Fiction offers new readings of Cuban-American novels and autobiographies, demonstrating that a focus on photographs (alluded to, analyzed, and/or obsessively recurrent in the narrative discourse) provides fresh insights into these texts. The study introduces the concept of photographic ekphrasis as a reading tool for diasporic literature and argues that visual images are important components of narratives about dislocation, nostalgia, and transcultural experience. Authors treated in depth include Carlos Eire, Cristina Garc a, Oscar Hijuelos, Roberto G. Fern ndez, Ana Men ndez, Achy Obejas, and Gustavo P rez Firmat. Photographic Ekphrasis in Cuban-American Fiction offers an original perspective on Cuban-American literature and contributes to the scholarship on ekphrasis and on the interactions between photography and narrative.