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'Each play I see by Phyllis Nagy confirms me in the belief that she isthe finest playwright to have emerged in the 1990s' (Alistair Macaulay,Financial Times)Nagy'slatest play is a blend of chilling humour and surrealism,interconnected issues of sex, truth, sincerity, psychology and mystery.'Whereasmuch contemporary playwriting is egregious, anorexic, short-winded anduncluttered, Nagy writes sinuously and elegantly, working towards atheatrical coalescence of plot, dialogue and swiftly changing scenicrepresentation that is as exciting as it is unusual' (Michael Coveney)