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Correspondence between two prominent artists that chronicles the modern art world in New York, Paris, and Berlin during the early twentieth century; A collection of previously unpublished correspondence between American artist Marsden Hartley and avant-garde impresario and photographer Alfred Stieglitz, My Dear Stieglitz chronicles a painter's three-year-plus European pilgrimage before - and during the inception of - World War I. Beginning with Hartley's 1912 arrival in Paris, his letters to Stieglitz from this pioneering capital of modern art and world culture provide sweeping accounts of Gertrude Stein's salons, gossip of Montparnasse cafes filled with poets, writers, artists, and composers, and commentary on paintings by Picasso, Cezanne, and Matisse. Searching for social acceptance as well as artistic growth and inspiration, Hartley reports to Stieglitz on leading galleries such as Ambroise Vollard, Bernheim-Jeune, and Paul Durand-Ruel, while finding solace in art at the Musee du Louvre. From Germany in early 1913, Hartley writes vibrant letters about the Expressionist artists in Munich, Wassily Kandinsky and Franz Marc, and their group Der Blaue Reiter. Hartley's missives quic