Mad Scenes and Exit Arias

From the Wall Street Journal's opera critic, a history of how and why the New York City Opera went bankrupt-and what it means for the future of the arts.In October 2013, the arts world was rocked by the news that the New York City Opera-'the people's opera'-had finally succumbed to financial hardship after 70 years in operation. The company had been a fixture on the national opera scene-as the populist antithesis of the grand Metropolitan Opera, a nurturing home for young American talent, and a place where new, lively ideas shook up a venerable art form. But NYCO's demise represented more than the loss of a cherished organization: it was a harbinger of massive upheaval in the performing arts-and a warning about how cultural institutions would need to change in order to survive.Drawing on extensive research and reporting, Heidi Waleson, one of the foremost American opera critics, recounts the history of this scrappy company and reveals how, from the beginning, it precariously balanced an ambitious artistic program on fragile financial supports. Waleson also looks forward and considers some better-managed, more visionary opera companies that have taken City Opera's lessons to heart.Above all, Mad Scenes and Exit Arias is a story of money, ego, changes in institutional identity, competing forces of populism and elitism, and the ongoing debate about the role of the arts in society. It serves as a detailed case study not only for an American arts organization, but also for the sustainability and management of nonprofit organizations across the country.'An intricate whodunit that seeks to find out who murdered the New York City Opera. . . . Waleson gives us a vivid description of each death-defying crisis and a sharp portrait of the ever-changing cast of would-be saviors who somehow always failed in their mission.' -The New York Times Book Review'Thoroughly researched, factually detailed, judgmentally well-balanced, and engrossing.' -Opera'Waleson's in-depth study illustrates the challenges City Opera-and other opera houses-face in the 21st century as they seek to preserve tradition and innovate.' -Publishers Weekly'A thorough recounting of the tumultuous history of the New York City Opera [and] a cleareyed examination of the economic fragility of cultural institutions.' -Kirkus Reviews