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Beskrivelse
The book offers representative excerpts from the manuscript reviewed by the artist in the early 1990s. Stylistically aware and (self-)critical, the author comments on the cultural and social climate in postwar Germany. He offers new insights into the German art scene of the postwar period and its European network, the relations between the SPUR group and the Situationist International around Guy Debord - provocations and scandals included.
