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Beskrivelse
DESCRIPTION BY BORCHE PANOV, literary critic, poet, editor:
"In the poetry book "House of Contrasts" by Daniela Andonovska Trajkovska somewhere at the beginning we can read that "a tear without metaphysics has no aesthetics". This discourse completely determines the poetics of this very well-known and notorious Macedonian poetess. She is awake in each word and in this book, she creates her poetic alphabet by freezing the moment and by claiming that her alphabet was born on the knife with which the umbilical cord was cut.
Although, she writes about things that are not so perfect or beautiful, such as the pain and the loss, she is always on the bright side by using the poem as the most subtle defense of life. At the same time, she stands in front of the vertical mirror of love and she confronts us with the naked truth by showing us the finest lines on our faces from which time rises like a wall between us and the world. She makes us to be aware that we live in a room of the autistic time, and even when insomnia speaks loudly, no one can hear the fractures of the day that assembles in us piece by piece like in an X-ray image, and no one can see our nakedness and our vulnerability. We hide behind the image that we show to the world wanting to be accepted and appreciated.
In the poetry book "House of Contrasts" we see for a moment the world in which every night, humans made of paper return to the keyhole of their houses cursing the day that does not last long enough so they could find themselves. But that is precisely why the day in this book lasts long enough to see how the poetess Daniela Andonovska-Trajkovska shows us that the paramecium of the meaning develops into a multicellular organism breathing with human lungs in the chest of the readers"
-by Borche Panov.
