Desire in Chromatic Harmony: A Psychodynamic Exploration of Fin de Siècle Tonality

Under the Soviet regime, millions of zeks (prisoners) were incarcerated in the forced labor camps, the Gulag. There many died of starvation, disease, and exhaustion, and some were killed by criminals and camp guards. In 1939, as the Nazis and Soviets invaded Poland, many Polish citizens found themselves swept up by the Soviet occupation and sent into the Gulag. One such victim was Julius Margolin, a Pinsk-born Jewish philosopher and writer living in Palestine whowas in Poland on family matters.Margolin's Journey into the Land of the Zeks and Back offers a powerful, first-person account of one of the most shocking chapters of the violent twentieth century. Opening with the outbreak of World War II in Poland, Margolin relates its devastating impact on the Jews and his arrest and imprisonment in the Gulag system. During his incarceration from 1940 to 1945, he nearly died from starvation and overwork but was able to return to Western Europe and rejoin his family in Palestine.With a philosopher's astute analysis of man and society, as well as with humor, his memoir of flight, entrapment, and survival details the choices and dilemmas faced by an individual under extreme duress. Margolin's moving account illuminates universal issues of human rights under a totalitarian regime andultimately the triumph of human dignity and decency.This translation by Stefani Hoffman is the first English-language edition of this classic work, originally written in Russian in 1947 and published in an abridged French version in 1949. Circulated in a Russian samizdat version in the USSR, it exerted considerable influence on the formation of the genre of Gulag memoirs and was eagerly read by Soviet dissidents. Timothy Snyder's foreword and Katherine Jolluck's introduction contextualize the creation of this remarkable account of a Jewishworld ravaged in the Stalinist empire-and the life of the man who was determined to reveal the horrors of the gulag camps and the plight of the zeks to the world.How does musical harmony engage listeners in relations of desire? Where does this desire come from? Author Kenneth Smith seeks to answer these questions by analyzing works from the turn of the twentieth- century that are both harmonically enriched and psychologically complex. Desire in Chromatic Harmony yields a new theory of how chromatic chord progressions direct the listener on intricate journeys through harmonic space, mirroring the tensions of thepsyche found in Schopenhauer, Freud, Lacan, Lyotard, and Deleuze. Smith extends this mode of enquiry into sophisticated music theory, while exploring philosophically engaged European and American composers such as Richard Strauss, Alexander Skryabin, Josef Suk, Charles Ives, and Aaron Copland. Focusing on harmonyand chord progression, the book drills down into the diatonic undercurrent beneath densely chromatic and dissonant surfaces. From the obsession with death and mourning in Suk's asrael Symphony to an exploration of "perversion" in Strauss's elektra; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Copland's The Tender Land, Desire in Chromatic Harmony cuts a path through the dense forests ofchromatic complexity, revealing the psychological make-up of post-Wagnerian psychodynamic music.