Autograph Album

In this new masterpiece of social history, a young girl's autograph album of the late 1880s is reproduced in facsimile, with meticulously researched biographies of everyone who signed it. Like many middle-class Boston girls of the late nineteenth century, Annie McFarlane kept an autograph album, in which her schoolmates, family, and neighbors wrote messages of friendship and scraps of sentimental verse. This keepsake, with its stamped and colored binding, was passed down through McFarlane’s family to her great-grandson, the independent scholar Theodore Dawes. Fascinated by the faded inscriptions in so many varied hands—from the spiky script of Andrew McFarlane (“Father”) to the labored cursive of young Flossie L. Law—Dawes undertook an arduous course of archival research aimed at uncovering the identity and biographical details of everyone who signed the album. The result is this book, in which each page of Annie McFarlane’s autograph album is reproduced in facsimile, along with the biography of the person who signed it. Together these brief yet telling portraits reveal the texture of life in Boston circa 1890, as well as in Vanceboro, Maine, where the McFarlanes had a summer home. United in the leaves of Annie’s album are the McFarlanes themselves, a family of Irish and Scottish extraction who achieved a modest prosperity in the linen trade; the Rothenbergs, owners of the legendary Boston department store of that name; the Kellys, stolid Maine farmers; and many others from every walk of life. Particularly striking are the voices of those too frequently omitted from our historical narratives: servants, laborers, and, of course, children. Autograph Album is a landmark in the social history of New England. For the specialist, it will shed light on questions of class, ethnicity, gender, and popular literacy; for the general reader, it is a rich and poignant reminder of the worlds that lie hidden in a family heirloom. Publisher’s note: The above description was written before the author submitted his final manuscript. We are publishing this book only to fulfill the terms of our contract with its financial sponsor, the New American Society for Historical Research.