Aesthetic Criticism and Case Study

Clouds fly for wind is strong. Represented by Zhang Xianliang, the upsurge of creation and criticism of Ningxia literature and art was formed in the 1980s. Lu Zhan, Wang Shixing, Wu Huisheng, Gao Song, Qin Zhongyin, Xiao Chuan, Ge Wujue, Gao Shen, Luo Fei, Zhang Wu, Liu Hefang, Yu Xiulan, Yu Guanhui and other generations of writers had made great efforts.From the late 1980s to the 1990s, Nantai, Gao Yaoshan, Hu Zhongfang, Feng Jianhua, Cha Shun, Ha Ruohui, Mu Yuan, Niu Piena, Du Fu, Xing Kuixue, Hu Xishan and Zhu Shizhong communited and led the literature development. After the mid-1990s, Chen Jiaming, Shi Shuqing, Guo Wenbin, Ji Dongliang, Mo Yue, Wang Peifei, Hu Huiliang, Ma He, Wang Tuya, Yang Zi, Meng Ye, Yang Senjun, Wang Huiling became the leading forces.Especially in the new century, Jin Ou, Zhang Xuedong, Li Jinxiang, Shan Yongzhen, Jing He, Yang Jianhu, Han Yinmei, Yin Ling, Tang Qing, Min Shengyu, Zhao Hua, A She, Ping Yuan, Ma Jinlian, Lin Yimu, Ma Zhanxiang, Liu Yue Xu Yi and other writers had also aroused the different attentions of contemporary literary circles.At the turn of the century, it is the common efforts of the new, middle, and old generations of writers to strengthen the overall strength of Ningxia literature and make many achievements. It has greatly prospered the contemporary culture in Ningxia, contributing unique aesthetic experiences and local feeling to the contemporary Chinese literature. The value and significance of its academic research speak for itself.