Highway 61 Revisited

Dr. Richard B. Patt, one of America's leading cancer pain experts, teams up with science writer Susan Lang to produce a much-needed, sensible handbook for patients and caregivers on all aspects of cancer pain. The authors illuminate the reasons why patients are so often undermedicated, including unfounded fears of addiction, patients thinking they need to tough it out, time-consuming paperwork for doctors who prescribe narcotics, and laws that fail to distinguishbetween drug abuse and the legitimate employment of narcotics. Lang and Patt demonstrate that properly medicated patients are better able to resume active lives and marshal strength to fight their disease - while those in chronic pain not only suffer, but also may jeopardise their potential forrecovery. A Complete Guide to Relieving Cancer Pain and Suffering enables cancer patients to make informed decisions about their care and gives numerous, concrete suggestions on how patients and their families can work most efficiently and effectively with doctors. This volume will be of enormous value to the growing numbers of patients, family members, and health-care professionals who are determined to relieve needless cancer pain.What do Louis Armstrong, Ray Charles, Bob Dylan, Willie Nelson, Tom Waits, Cassandra Wilson, and Ani DiFranco have in common? In Highway 61 Revisited, acclaimed music critic Gene Santoro says the answer is jazz-not just the musical style, but jazz's distinctive ambiance and attitudes. As legendary bebop rebel Charlie Parker once put it, "If you don't live it, it won't come out of your horn." Unwinding that Zen-like statement, Santoro traces how jazz's existential art has infused outstanding musicians in nearly every wing of American popular music-blues, folk, gospel, psychedelic rock, country, bluegrass, soul, funk, hiphop-with its parallel process of self-discovery and artistic creation through musical improvisation. Taking less-traveled paths through the lastcentury of American pop, Highway 61 Revisited maps unexpected musical and cultural links between such apparently disparate figures as Louis Armstrong, Willie Nelson, Bob Dylan and Herbie Hancock; Miles Davis, Lenny Bruce, The Grateful Dead, Bruce Springsteen, and many others. Focusing on jazz's power toconnect, Santoro shows how the jazz milieu created a fertile space "where whites and blacks could meet in America on something like equal grounds," and indeed where art and entertainment, politics and poetry, mainstream culture and its subversive offshoots were drawn together in a heady mix whose influence has proved both far-reaching and seemingly inexhaustible. Combining interviews and original research, and marked throughout by Santoro's wide ranging grasp of cultural history, Highway 61 Revisited offers readers a new look at-and a new way of listening to-the many ways jazz has colored the entire range of American popular music in all its dazzling profusion.